-40%
Atomos Neon Series 17" 10-Bit HDR Cinema Monitor-Recorder #ATOMNEO171
$ 1847.47
- Description
- Size Guide
Description
Atomos Neon Series 17" 10-Bit HDR Cinema Monitor-Recorder for On-Set and In-Studio ProductionSKU: ATOMNEON17
Mfr. Part: ATOMNEO171
Item Includes
Neon Series 17 " 10-Bit HDR Cinema Monitor-Recorder - Master Control Unit - IR Remote - Master Caddy II - AC Power Supply - AtomX SDI Expansion - Module - Road Case - Feet - Quick Start Guide - Atomos 1 Year Limited Warranty
Description
Providing certainty of image
NEON 17 is precision on-set and in-studio 4K HDR production monitors that also record and play back. Featuring full array local dimming (FALD) to achieve1000nit/cdm2 full screen brightness, 0nit / cd sq.m Black point and a 1500nit HDR peak brightness. With wide gamut DCI P3 coverage, built in LOG transforms for HDR monitoring and custom 3D LUTs for SDR the NEON series provide accurate monitoring for either production or post.
16.5" Monitor
1920 x 1080 Resolution
142 PPI
16:9 Aspect Ratio
Color Managed Display Pipeline
The AtomHDR engine provides the ability to accurately manage your input and display Gamma/Gamut. Selectable monitor modes allow you to work in either SDR or HDR project settings, that match both camera acquisition settings, or defined delivery standards including Rec.709, Rec.2100 HLG or ST.2084 PQ. NEON provides native accurate color with DCI-P3 coverage. Wide color gamuts, such as BT.2020, are accurately processed by the AtomHDR engine to deliver consistent representations. Built in transforms, allow for the conversion of LOG to HDR standards or utilise 3D LUTs for SDR, to monitor with a specified look or exposure compensation. Downstream output options also provides for conversion between standards to best suit the target display with options for SDR, LUTs or HDR.
Flexible and Upgradeable I/O
The foundation of the NEON platform is a modular approach that ensures the I/O of the monitor is both easy to maintain, replace and ultimately upgrade without having to take the panel out of commission. The Master Control Unit (MCU) is the brain of the NEON with support for HDMI 2.0 for both in and loop out, which provides support for video input at 4096 x 2160 4k DCI at up to 60p.
The MCU firmware is easily upgradable and allows the upload and storage of up to 8 x 3D LUTs in its internal memory or can use a 2.5f HDD or SSD to store an unlimited library that can easily be uploaded to the NEON via the AtomRemote App on iOS. The MCU offers a second level of expansion via the Xpansion port and NEON includes the AtomX SDI module which provides 2 x 12G SDI. The configurable ports allow for input of up to 4k60p video.
As standards and interfaces develop, both the MCU and Xpansion port modules can be changed and upgraded to meet your needs without needing to change the entire monitor.
Record and Playback modes
Connect cameras or any video source via SDI, supporting up to 4K DCI 60p via 12G or Dual 6G or lower resolutions and frame rates via 1.5/3G SDI up to 2Kp60 with up to 12 channels of embedded audio. Recordings can easily be played back and reviewed without needing to off load media or take the camera out of record mode. HDMI signals without HDCP are supported up to 4k60p or HD 120fps with up to 8 channels of audio and detection of HDR info frame to automatically match the input signal type. 10bit 422 recordings are captured to industry standard Apple ProRes of Avid DNx Codec using Scene Shot Take file naming with rich metadata in the file header that can be utilized by your NLE or MAM system to asset orchestration.
To play back files recorded to SSD on the NEON, or SSDs from other Atomos devices, simply place the SSD in to the MCU drive slot. Clips can also be exported directly from your NLE or transcoded toProRes/DNx to be played back on the NEON.
Frame Guides and Anamorphic De-squeeze
A variety of broadcast frame guides with the option to EBU R5 Graphic and Action safe areas can be enabled. Cinematic guides are also available and can all be used alongside the anamorphic de-squeeze mode with support for 2x, 1.5x and 1.33x to allow you to match a wide variety of lenses.
App control for all essential monitoring tools
Waveform Monitors
Offer Luma Parade, RGB parade, Vector Scope with Vector zoom to monitor levels with specific graticule scales across input EOTFs.
Pixel Zoom
Allows operators to punch in to check shots for focus or aspects of the detail with pan and scan around the image.
Focus Peaking
Color, Mono and edges only enable easy focus pulls or shot selection. Traditionally used on set but also ideal when reviewing shot selects.
Adjustable Zebras
Exposure check and analysis.
False color
Exposure check and analysis. can be used in both production and post to set exposure or identify areas that may need to be painted down with power windows.
Audio at a glance
Audio PPMs for all embedded channels with headphone monitoring of selected stereo pair. Additional input can be via 3.5mm jack located on the MCU
Features
Certainty of image for the entire crew
Digital filmmaking re-imagined for today's creator
Four sizes for flexibility in any production
Atomos App or remote control for simple operation
1000nit zone backlight display for 1,000,000:1 contrast ratio
Record, edit and grade in online quality at 4Kp60 ProRes Raw, ProRes, DNx, Cinema DNG; Dolby Vision play out.
Sync and control multiple Neons from one App
App-controlled: full scopes, exposure, focus & LUTs
Specifications
Size
17"
Resolution / PPI
1920 x 1080 / 142ppi
Aspect Ratio
16:9
Color Gamut
DCI-P3 100% Coverage, D65 or D93 White Point, Calibrated
Look up table (LUT) support
3D LUTs (.cube format)
Anamorphic de-squeeze
2x, 1.5x, 1.33x, Panasonic 4:3
Calibration
Calibration to DCI-P3 with optional calibration unit
User interface
iOS App via Bluetooth, IR Remote control of focus peaking, exposure, calibration, zoom, waveform monitor, RGB monitor, vector scope
Display
Zone Backlights
128 (direct backlight individual LEDs)
LEDs
Wide Color Calibrated D65 or D95
Bit Depth
True 10-bit
Color
DCI-P3 100% coverage
Brightness
1000nit (+/- 10%)
Control
Dynamic backlight control
SDR Monitoring
Native Rec.709, Log/RAW to Rec.709
HDR Monitoring
Log/RAW to HLG or PQ
Supported input /Gamma
Sony SLog / SLog2 / SLog3
Canon CLog / CLog2 / Clog3
ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
Panasonic Vlog
JVC JLog1
RED Log3G10 / RED LogFilm
FujiFilm F-log
PQ10k
HLG
Supported input/Gamut
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / DCI P3 / DCI P3+
Nikon NLog
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709 / BT.2020
JVC
RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4
Supported input RAW/Gamma
Sony SLog / SLog2 / SLog3
Canon CLog / CLog2 / Clog3
Panasonic Vlog
Supported input RAW/Gamut
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / DCI P3 / DCI P3+
Nikon NLog
Panasonic V Gamut
Video output
Rec.709, HLG, PQ, LUT
Dynamic HDR Technology
HDMI
1x HDMI 2.0b
SDI - SDI Expansion Module required
2 x configurable BNC
Signal
Up to uncompressed true 10-bit
Input Connections
HDMI
1x HDMI 2.0b
SDI - SDI Expansion Module required
2x configurable BNC
Signal
Up to uncompressed true 10-bit
Output Connections
HDMI to HDMI
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120,
4kUHD/4kDCI 24/25/30/50/60
SDI to SDI-SDI Expansion Module required
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120,
4kUHD/4kDCI 24/25/30/50/60
HDMI to SDI
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120,
4kUHD/4kDCI 24/25/30/50/60
Dolby Vision Tunnelling
Selectable on HDMI
Supported Loop Out Formats
Video to ProRes / DNxHR
Apple ProRes RAW, ProRes HQ, 422, LT
AVID DNx, HQX, HQ, SQ, LB,
Cinema DNG RAW
Resolution / Frame rate
4K DCI / UHD 24/25/30/50/60p
2K 24/25/30/50/60/100/120p
1080p 24/25/30/50/60/100/120/200/240p
1080i 50/60i,
720p 50/60p
Supported Codecs & Frame Rates
Pulldown removal
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K DCI > UHD
Yes - Loop-out and playback
4K UHD downscaling
Yes - Loop-out and playback
HDMI
2 or 8ch 24-bit, camera dependent
SDI - SDI Expansion Module required
12ch 48kHz 24-bit
Onboard Processing
Audio in
Line in / Mic in
Headphone out
3.5mm Headphone out
2ch 48kHz 24-bit
Built-in speakers
No
Audio
HDMI
Auto HDMI Trigger Supported Protocols - Canon, Sony
Atomos Open Standard - Panasonic, Nikon, Olympus, Fuji, Leica
SDI - SDI Expansion Module required
SDI trigger camera selectable
Genlock / LTC
Yes - Bluetooth / iOS App
Serial Control
LANC control - Slave RS232
Playback Features
Jog control, slow motion, scheduled, tag-based scheduling
Pre-roll record
HD 8s, 4K 2s
Project Metadata
AtomOS on unit and iOS App input
Supported media
Support for AtomX SSDmini and Master Caddy II with 2.5" SSD/HDD
Master caddy dock
2.5" SATA to USB 2.0/3.0/USB-C 3.1
Supported applications
All popular NLE applications, 3D applications
Metadata tagging
Yes (10 tags available)
XML support
FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Remote Start/Stop
Construction
Aluminum alloy chassis with ABS Polycarbonate back plate
Mounting points
Full ARRI compatible, 3 Left, 3 Right, 7 Top, 7 Bottom; VESA Mount.
Dimensions
Master Control Unit: 5.94 x 3.6 x 1.22" (151 x 91.5 x 31mm)
Monitor: 16.25 x 9.96 x 2.8" (413 x 253 x 71.4mm)
Weight
Master Control Unit: 10.5 oz (300g)
Monitor: 9.92 lb (4.5kg)
WHO WE ARE
Adorama is one of the nation's largest Photographic retail and mail order suppliers. For over 35 years we have been serving professionals as well as amateurs in the photographic, video, digital imaging and telescope fields. We offer the best combination of quality services, vast selection, knowledgeable staff, and competitive pricing.
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Friday:
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: 12pt;"> 9:00am - 6:00pm
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